Archetypa studiaque patris Georgii Hoefnagelii [Part 1, Plate 5] by Jacob Hoefnagel https://www.nga.gov/artworks/226452-archetypa-studiaque-patris-georgii-hoefnagelii-part-1-plate-5
Art for the Nation no. 68 (Spring 2024): 16, repro.
Art for the Nation no. 68 (Spring 2024): 16, repro.
Vlaminck is often portrayed as the most unruly painter of the fauve school, an impression that reflects both on his personality (as it is revealed in his biography and writings) and his work. A self-taught artist, Vlaminck insisted that painting should be the unmediated expression of an artist’s temperament, „emotive, tender, ferocious, as natural as life itself.“ [1] Indeed, having been an anarchist sympathizer during the prewar period, he would later link the strident colorism and bold brushwork of his work to social and political dissent, a connection that was actually made by several art critics.
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation
reaches millions of people each year, bringing art into every community in the nation
Associated Names Mellon, Paul Exhibition History 1991 Art for the Nation: Gifts
Artwork history & notes Artwork History Exhibition History 1991 Art for the Nation
Associated Names Mellon, Paul Exhibition History 1991 Art for the Nation: Gifts
Artwork history & notes Artwork History Exhibition History 1991 Art for the Nation
America’s National Gallery of Art: A Gift to the Nation.
Art for the Nation no. 68 (Spring 2024): 4, fig. 2.
Artwork history & notes Artwork History Exhibition History 1991 Art for the Nation