Final study for "Great America" by Kerry James Marshall https://www.nga.gov/artworks/161204-final-study-great-america
Art for the Nation no. 68 (Spring 2024): 4, fig. 2.
Art for the Nation no. 68 (Spring 2024): 4, fig. 2.
Artwork history & notes Artwork History Exhibition History 1991 Art for the Nation
Artwork history & notes Artwork History Exhibition History 1991 Art for the Nation
Art for the Nation no. 68 (Spring 2024): 23-24, repro. 23.
Vlaminck is often portrayed as the most unruly painter of the fauve school, an impression that reflects both on his personality (as it is revealed in his biography and writings) and his work. A self-taught artist, Vlaminck insisted that painting should be the unmediated expression of an artist’s temperament, „emotive, tender, ferocious, as natural as life itself.“ [1] Indeed, having been an anarchist sympathizer during the prewar period, he would later link the strident colorism and bold brushwork of his work to social and political dissent, a connection that was actually made by several art critics.
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation
Art for the Nation no. 65 (Spring 2022): 20-21, repro.
Associated Names Mellon, Paul Exhibition History 1991 Art for the Nation: Gifts
Associated Names Mellon, Paul Exhibition History 1991 Art for the Nation: Gifts
Art for the Nation no. 68 (Spring 2024): 27, repro.
.-2 Nov. 1986, no. 31 1991 Art for the Nation: Gifts in Honor of the 50th Anniversary