Dein Suchergebnis zum Thema: Nation

Are artists sinners or saints? Gauguin paints himself as both.
America’s National Gallery of Art: A Gift to the Nation.

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
America’s National Gallery of Art: A Gift to the Nation.

Filippino Lippi was the son of the painter Fra Filippo Lippi, who was undoubtedly the boy’s first master. After his father died in 1469, he became a pupil of Botticelli, who had a profound influence on his style.
America’s National Gallery of Art: A Gift to the Nation.

Seville’s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While Murillo is well known for works with religious themes, he also produced a number of genre paintings of figures from contemporary life engaged in ordinary pursuits.
America’s National Gallery of Art: A Gift to the Nation.

Renaissance artist Raphael was famous in his own time. It is easy to understand why.
America’s National Gallery of Art: A Gift to the Nation.

This unusually large panel painting depicts three facets of Marian iconography: the Virgin’s corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin.
America’s National Gallery of Art: A Gift to the Nation.

trouver du plaisir à se montrer que quand il était en présence des ennemis de sa nation

Here he had numerous opportunities to paint portraits in which he was marvelously successful and had few equals. He painted Cavaliers and Ladies of our city and all of them so lifelike and invested with a certain air, that .
America’s National Gallery of Art: A Gift to the Nation.

Fragonard’s brushwork is as much the subject of this painting as the young woman. A flurry of rapid marks captures her blushing face.
America’s National Gallery of Art: A Gift to the Nation.

Crawford Notch, a deep valley in New Hampshire’s White Mountains, gained notoriety in 1826 when nine lives were lost in a catastrophic avalanche nearby. Cole’s painting depicts the site of an earlier landslide whose destruction prompted the victims—Mr.
Philadelphia; The Minneapolis Institute of Arts, 2002, no. 5, repro. 2018 Nature’s Nation