Carpaccio reimagined the Madonna and Child theme when he made this painting. Instead of wearing a traditional blue cloak, the Virgin Mary, or Madonna, is clothed in fashionable Venetian dress.
Art for the Nation no. 66 (Fall 2022): 48, repro.
Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
America’s National Gallery of Art: A Gift to the Nation.
Starting in 1568, seven provinces of the Netherlands broke away in revolt against Spanish rule, initiating a war for independence that lasted until 1648. In the early years of the conflict the militias (civic guard companies) of Haarlem in particular put up a heroic fight.
America’s National Gallery of Art: A Gift to the Nation.
Gold and silver threads add life to this tapestry, often described as the finest surviving from the Middle Ages and early Renaissance. Everything indicates that this was an important commission:
America’s National Gallery of Art: A Gift to the Nation.
George Bellows’s paintings devoted to boxing were among the most popular pictures he produced during his lifetime and remain so today. Executed in August and September 1907, Club Night is the first of three similar boxing subjects that Bellows painted early in his career, from 1907 to 1909.
Institute of American Art, Youngstown, Ohio, 1996, no. 1, repro. 1998 Gifts to the Nation
Irene di Spilimbergo was about 20 years old when this painting was begun. Along with a pendant portrait of her older sister, Emilia, the two paintings were probably initially commissioned in anticipation of the prospective marriages of the two sitters.
America’s National Gallery of Art: A Gift to the Nation.
Works of art are subject to continual change and movement. This chalice, made of materials from around the world, has been altered several times during the 2,000 years of its history.
America’s National Gallery of Art: A Gift to the Nation.
Its Christian subject matter, simplicity of organization, and lack of shock value separate The Sacrament of the Last Supper from most of Salvador Dal۪̉s other works. Dal۪̉s reputation from the late 1920s to the mid-1940s was founded on his surrealist manner and use of Freudian dream imagery.
America’s National Gallery of Art: A Gift to the Nation.
This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
America’s National Gallery of Art: A Gift to the Nation.
This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10.
America’s National Gallery of Art: A Gift to the Nation.
