The Farm by Joan Miró https://www.nga.gov/artworks/69660-farm
This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
America’s National Gallery of Art: A Gift to the Nation.
This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
America’s National Gallery of Art: A Gift to the Nation.
This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10.
America’s National Gallery of Art: A Gift to the Nation.
While his figure paintings are better known, Renoir’s landscapes resonate with a vigor and freshness of vision central to the development of impressionism, most apparent here in his transcription of the effects of sunlight. Midday sun suffuses the panorama, its intensity heightening the artist’s palette and suppressing incidental detail to clarify the crowded scene.
America’s National Gallery of Art: A Gift to the Nation.
From the Native peoples lobbying to keep their homelands to immigrants facing challenges in their new home, works from our collection help us understand our nation’s beginnings.
The Wanderer docked at Jekyll Island, Georgia, in 1858, 50 years after the nation
Auguste Rodin was born in 1840, the second child and only son of Jean-Baptiste Rodin and Marie Cheffer, first-generation Parisians of modest means. Nothing in his family background or situation suggested that he might become an artist.
school with the mission to educate the designers and the artisans of the French nation
Carpaccio reimagined the Madonna and Child theme when he made this painting. Instead of wearing a traditional blue cloak, the Virgin Mary, or Madonna, is clothed in fashionable Venetian dress.
Art for the Nation no. 66 (Fall 2022): 48, repro.
Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
America’s National Gallery of Art: A Gift to the Nation.
Starting in 1568, seven provinces of the Netherlands broke away in revolt against Spanish rule, initiating a war for independence that lasted until 1648. In the early years of the conflict the militias (civic guard companies) of Haarlem in particular put up a heroic fight.
America’s National Gallery of Art: A Gift to the Nation.
Gold and silver threads add life to this tapestry, often described as the finest surviving from the Middle Ages and early Renaissance. Everything indicates that this was an important commission:
America’s National Gallery of Art: A Gift to the Nation.
George Bellows’s paintings devoted to boxing were among the most popular pictures he produced during his lifetime and remain so today. Executed in August and September 1907, Club Night is the first of three similar boxing subjects that Bellows painted early in his career, from 1907 to 1909.
Institute of American Art, Youngstown, Ohio, 1996, no. 1, repro. 1998 Gifts to the Nation