Dein Suchergebnis zum Thema: Nation

Mellon à la nation américaine." Revue de l’Art 376 (April 1937): 84.

, National Gallery of Art, Washington, 1966, no. 90, repro 1986 Gifts to the Nation

Gifts, National Gallery of Art, Washington, D.C., 1978, p. 104. 1991 Art for the Nation

America’s National Gallery of Art: A Gift to the Nation.

Mounds and remains of which are all plain to be seen . . . the existence of which no Nation

In about 1600, Hendrick Goltzius, who was famous across Europe for his extraordinary abilities as a draftsman and printmaker, turned his talents to painting. In 1616 he painted this magnificent image of Adam and Eve reclining in the Garden of Eden like mythological lovers.
Exhibition History 2000 Art for the Nation: Collecting for a New Century, National

Before establishing himself as a pioneering member of the dada movement during and after World War I, Picabia experimented with various forms of modernist painting. Procession, Seville belongs to a group of works from 1912 in which the artist demonstrates a sophisticated and highly idiosyncratic assimilation of recent developments in cubism and futurism.[1] Fragmented planes, shallow space, and an allover pattern of flickering lights and darks are all associated with the analytic cubism of Pablo Picasso and Georges Braque;
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation

Henri de Toulouse-Lautrec had a passion for the theater in all its forms, from the popular dance halls and cabarets to the avant-garde theaters of Paris. He was both a keen spectator and an active participant, designing posters, theater programs, scenery, and costumes for a number of theaters and stage productions.
National Gallery of Art, Washington, D.C., 1983, no. 29, repro. 1991 Art for the Nation

Johns has long been concerned with the visual and conceptual act of decoding. His various manners of painting and drawing, for example, frequently result in a congested accumulation of marks or signs, while his materials include encaustic (a thick, quick-drying wax medium that allows for a visible layering of brushstrokes) as well as objects that have been mounted on the canvas in the manner of assemblage and collage.
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation

Black, blue, white, silver, russet, and orange paint are here, but no lavender. The title, suggested by a critic who championed the artist, points our attention to light and color effects.
America’s National Gallery of Art: A Gift to the Nation.