Dein Suchergebnis zum Thema: Nation

Johns has long been concerned with the visual and conceptual act of decoding. His various manners of painting and drawing, for example, frequently result in a congested accumulation of marks or signs, while his materials include encaustic (a thick, quick-drying wax medium that allows for a visible layering of brushstrokes) as well as objects that have been mounted on the canvas in the manner of assemblage and collage.
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation

Black, blue, white, silver, russet, and orange paint are here, but no lavender. The title, suggested by a critic who championed the artist, points our attention to light and color effects.
America’s National Gallery of Art: A Gift to the Nation.

checklist at the end of the catalogue), repro. 2013 Impressionist France: Visions of Nation

other Benefactors to contribute their collections and private resources to the nation

Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985.
at the Brooklyn Museum’s American Art Galleries for the exhibition Soul of a Nation

Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985.
at the Brooklyn Museum’s American Art Galleries for the exhibition Soul of a Nation

Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985.
including at the Brooklyn Museum’s American Art Galleries for the exhibition Soul of a Nation

National Gallery of Art, Washington, D.C., 1983, no. 44, repro. 1998 Gifts to the Nation

Alexander Calder’s interest in astronomy and the cosmos led him to create a series of delicate works he called Constellations. This is the most complex one.
Francisco Museum of Modern Art, 1998, no. 177, color repro. 2000 Art for the Nation

During the summer of 1916 George Bellows and his family vacationed in Camden, Maine, and Bellows began to experiment with plein air portraiture in which he attempted to integrate the human figure with the outdoors. He produced two nearly identical versions of a monumental portrait of his wife and two daughters that summer:
Museum of Arts and Sciences, Macon, Georgia, 1984, fig. 15. 1986 Gifts to the Nation