Dein Suchergebnis zum Thema: Nation

A popular subject in Counter–Reformation Italy and Spain, Ribera’s profoundly moving work portrays the apostle’s final moments before he is to be flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh.
of Works by Old Masters, Edinburgh, 1883 (cat. not located). 1991 Art for the Nation

Access archived National Gallery web content and past projects, including the Gemini G.E.L Online Catalogue Raisonné and Vogel 50×50 site.
together over 2,500 contemporary artworks that were distributed throughout the nation

Oldenburg, Museum of Modern Art, New York, 1969, no. 108, repro. 1991 Art for the Nation

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
America’s National Gallery of Art: A Gift to the Nation.

Valentin de Boulogne was born near Boulogne (from whence he takes his last name) in Picardy. He came from a family of artists, but little else is known of his early life and training.
Conisbee, published in the National Gallery of Art exhibition catalogue, Art for the Nation

With great bravura, this fashionably clad member of the Haarlem civic guard stands with one arm akimbo, staring out at the viewer. His proud bearing, accented by the panache of his shimmering pink satin costume and plumed hat, attests to the great sense of confidence felt by the Dutch at the height of their „golden age.“ Andries Stilte, whose family coat of arms decorates the upper corner of this painting, is presented as a standard bearer, or ensign, of the Kloveniers, one of Haarlem’s militia companies.
Art for the Nation: Collecting for a New Century, National Gallery of Art, Washington

Museum of Modern Art, New York, 1989, no. 207, color repro. 1991 Art for the Nation

America’s National Gallery of Art: A Gift to the Nation.

The new nation experienced a shift from a farming economy to an industrial one, major

Art for the Nation no. 66 (Fall 2022): 46-47, repro.