Dein Suchergebnis zum Thema: Nation

Art for the Nation no. 63 (Spring/Summer 2021): 24-25, fig. 22.

Salon des Independents, Paris, 24 March-30 April 1905, no. 30. 1986 Gifts to the Nation

Spanish women artists of the 17th century worked anonymously. They were not publicly acknowledged, and today we rarely know their names.
Art for the Nation no. 66 (Fall 2022): 31-32, repro.

Access archived National Gallery web content and past projects, including the Gemini G.E.L Online Catalogue Raisonné and Vogel 50×50 site.
together over 2,500 contemporary artworks that were distributed throughout the nation

Oldenburg, Museum of Modern Art, New York, 1969, no. 108, repro. 1991 Art for the Nation

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
America’s National Gallery of Art: A Gift to the Nation.

Jan van Huysum’s lasting fame centers on his exuberant arrangements and technical virtuosity. More than any other artist before or after, he was able to capture the dynamic energy of a profuse array of flowers and fruit.
National Gallery of Art, Washington, D.C., 1999, no. 19, fig. 60. 2000 Art for the Nation

Among the most memorable characters in Edward Bulwer-Lytton’s hugely popular novel The Last Days of Pompeii (1834) is Nydia, a blind flower seller. In love with the noble-born Glaucus, who is engaged to Ione, Nydia knows the hopelessness of her position and endures her suffering with quiet courage.
Kelly, published in the National Gallery of Art exhibition catalogue, Art for the Nation

Vuillard belonged to a quasi-mystical group of young artists that arose in about 1890 and called themselves the Nabi, a Hebrew word for prophet. The Nabi rejected impressionism and considered simple transcription of the appearance of the natural world unthinking and unartistic.
Vuillard, Frankfurter Kunstverein, 1964. no. 26, repro. 1986 Gifts to the Nation

National Gallery of Art, Washington, 1966, no. 129, repro. 1986 Gifts to the Nation