Dein Suchergebnis zum Thema: Nation

Childe Hassam was a regular visitor to the Isles of Shoals, nine small, rocky, treeless islands off the New Hampshire coast. His acquaintance with the islands was due to his poet friend Celia Thaxter, whose house on Appledore Island was a summer mecca for writers, painters, illustrators, musicians, and other artistic visitors.
Kelly, published in the National Gallery of Art exhibition catalogue, Art for the Nation

Discover how artists across America have been inspired by their communities and the places they call home.
Explores the Story of Turtle Island Marie Watt, an artist and member of the Seneca Nation

The Circle brings together individuals who share an appreciation for the arts and a personal commitment to the National Gallery. Members of this patron group receive invitations and opportunities that offer an unparalleled experience within the galleries and beyond.
communications, including the monthly email newsletter Subscription to the Art for the Nation

America’s National Gallery of Art: A Gift to the Nation.

Wearing nearly matching outfits, Henry, George, and John Westwood look out from the canvas. The brothers all have fair, wispy hair and delicate facial features.
"Collecting for the Nation."

Paul Mellon, National Gallery of Art, Washington, 1999-2000. 2000 Art for the Nation

Art for the Nation no. 68 (Spring 2024): 21, repro.

A popular subject in Counter–Reformation Italy and Spain, Ribera’s profoundly moving work portrays the apostle’s final moments before he is to be flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh.
of Works by Old Masters, Edinburgh, 1883 (cat. not located). 1991 Art for the Nation

Ellsworth Kelly realized his first abstractions during his stay in France from 1948 to 1954. In these extremely productive years, he created a body of work whose refinement of line, form, and color remains the fundamental language of his art.
Donovan, published in the National Gallery of Art exhibition catalogue, Art for the Nation

In 1648 a contemporary writer noted that Willem Claesz Heda was a specialist in breakfast and banquet still lifes, painting „fruit, and all kinds of knick-knacks.“ At first sight, Heda’s largest known still-life painting appears to welcome the viewer to a sumptuous feast. Yet pewter plates teeter precariously over the table’s edge, while a translucent goblet and a silver tazza have toppled over, indicating that the feast has already been enjoyed.
Zwolle, 2004: 107, fig. 1. 2015 "Art for the Nation: The Story of the Patrons‘