Taking an in-depth look at the historical experiences and cultural formations of Black and African people since the 17th century, this exhibition includes works of art like paintings, sculpture, photographs, and time-based media by artists from Africa, Europe, the Americas, and the Caribbean.
Courtesy DC Moore Gallery, NY Njideka Akunyili Crosby, Eko Skyscraper, 2019, acrylic
Sensational and scandalous for an American audience unused to seeing classically nude statues of women, this figure by Hiram Powers caused a frenzy when it was first exhibited in the mid-19th century. Curious viewers came in droves to see it after Powers sent several copies from Italy, where he created the work.
Washington, 1983: 125. 1987 Moore, Barbara.
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
with the Dutch, German, and Flemish paintings of the Orléans collection by Thomas Moore
Carter Brown (right) with sculptor Henry Moore for the installation of Knife Edge
Niagara , located on the homeland of the Haudenosaunee (Iroquois), is among the greatest natural wonders of North America. Beginning in the late 17th century, the site became a popular but challenging subject for European artists.
Palo Alto, 2008: 417 repro., 420-422. 2009 Moore, Charlotte Emans.
Image-Based Devotion in Dutch and Flemish Prayer Books, 1480–1680 Kathryn Blair Moore
Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway , starting with the relationship between the two figures. Are they mother and daughter?
Monet to Moore: The Millennium Gift of the Sarah Lee Corporation.
Baldinucci’s Notizie de‘ professori del disegno in Late Baroque Florence Jordana Moore
