Yves Klein 1928–1962 | Tate https://www.tate.org.uk/art/artists/yves-klein-1418
Artist page for Yves Klein (1928–1962)
immaterial zones of sensibility‘, and in 1958 with ‚Anthropométries‘ made by a nude model
Dein Suchergebnis zum Thema: Model
Peter Randall-Page: Nature into Sculpture | Tate https://www.tate.org.uk/art/artists/peter-randall-page-2326/peter-randall-page-nature-sculpture
Discover how organic forms and natural growth patterns inspire sculptor Peter Randall-Page
Richard Deacon: Bending, Shaping, Twisting and Joining ‚I don’t carve, I don’t model
‘‘Draft typescript with some alterations‘, collection owner: Ithell Colquhoun, [c.1950–7]‘, collection owner: Ithell Colquhoun, [c.1950–7] – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-929-2-1-35-4/colquhoun-draft-typescript-with-some-alterations?page=2
‘Draft typescript with some alterations‘, collection owner: Ithell Colquhoun, [c.1950–7] – part of the digitised collection of the Tate Archive
Prose 28 Objects Short story titled ‘The Applicant’, earlier called ‘The Model
Amedeo Modigliani 1884–1920 | Tate https://www.tate.org.uk/art/artists/amedeo-modigliani-1648
Artist page for Amedeo Modigliani (1884–1920)
Features Quiz Which Modigliani Model Are You?
‘‘Letter from Vanessa Bell to Duncan Grant‘, Vanessa Bell, recipient: Duncan Grant, [c.10 February 1930]‘, Vanessa Bell, recipient: Duncan Grant, [c.10 February 1930] – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-20078-1-44-165/letter-from-vanessa-bell-to-duncan-grant
Letter from Vanessa Bell, 8 Fitzroy Street, Fitzrovia, London, to Duncan Grant, originally forwarding a letter from Jean (?Campbell or Marchand). She reports on two of their ongoing decorative schemes – one for Dottie Wellesley’s house Penns-in-the-rocks, Sussex, and one for Ethel (?Sands) in London, being largely executed by Robert (?Medley). She describes visits to two sculptors : Stephen Tomlin in Wiltshire, who is despondent about his work; and Frank Dobson (with Roger Fry), who shows her a large work (possibly Tate’s ‚Truth‘ [1930; N04510]) and a head of his future wife Mary Bussell. Bell has also been painting the …
Bell has also been painting the black model Brinkworth with Fry.
Sir William Orpen 1878–1931 | Tate https://www.tate.org.uk/art/artists/sir-william-orpen-1725
Artist page for Sir William Orpen (1878–1931)
Historic and Modern British Art The Angler Sir William Orpen c.1912 The Model
Susumu Koshimizu: My Sculptural Expression | Tate https://www.tate.org.uk/art/artists/susumu-koshimizu-11583/susumu-koshimizu-my-sculptural-expression
Richard Deacon: Bending, Shaping, Twisting and Joining ‚I don’t carve, I don’t model
École des Beaux-Arts | Tate https://www.tate.org.uk/art/art-terms/e/ecole-des-beaux-arts
Tate glossary definition for École des Beaux-Arts: French term meaning school of fine arts
The École remained the basic model for an art school until the foundation of the
‘‘Photographs taken by John Piper‘, collection owner: John Piper, [c.1930s–1980s]‘, collection owner: John Piper, [c.1930s–1980s] – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-8728/photographs-taken-by-john-piper?page=9
Counties are split into the territories they would have occupied when John Piper photographed them.
thatched barn in Lockinge, Berkshire John Piper [c.1930s–1980s] Photograph of a [model
Ivor Roberts-Jones 1916–1996 | Tate https://www.tate.org.uk/art/artists/ivor-roberts-jones-1856
Artist page for Ivor Roberts-Jones (1916–1996)
artist Kyffin Williams, a friend of Roberts-Jones, is said to have acted as the model