Meintest du modell?
Gerrit van Honthorst (1592–1656) has long been considered one of the greatest painters of the Dutch Golden Age. After training in Utrecht, he traveled to Italy around 1615, where he embraced the radical stylistic and thematic ideas of Caravaggio.
These artists generally worked directly from posed models, as Caravaggio did, and
See these 10 works by queer artists during your next visit.
Her depictions of friends, fellow artists, and models seated alone in quiet spaces
Meindert Hobbema studied under the noted landscape artist Jacob van Ruisdael, and quite a few of his compositions evolved from the work of his erstwhile master. Hobbema approached nature in a straightforward manner, depicting picturesque, rural scenery enlivened by the presence of peasants or hunters.
deceased masters of the British School: including a collection of drawings and models
Learn about the architect behind our iconic East Building.
The archives also hold records related to the East Building, including models, specifications
National Gallery of Art picture, the figure boldly faces the viewer as light firmly models
his paintings combine blossoms rendered from life and those derived from drawn models
Gerrit Dou, considered the founder of the Dutch school of fijnschilderij , or fine painting, was born in Leiden on April 7, 1613, the son of Marytje Jansdr van Rosenburg and the glassmaker and engraver Douwe Jansz. According to Orlers, Dou received his first instruction, in the art of glass engraving, from his father.
confusion stemming in part from the fact that Dou and Rembrandt shared subjects and models
From the Native peoples lobbying to keep their homelands to immigrants facing challenges in their new home, works from our collection help us understand our nation’s beginnings.
(While many were still living, Saint-Gaudens did not use any of them as models.)
Photographers of the 1970s revolutionized the medium through innovations of both style and subject.
She used models to reenact her imagined youth, blurring the lines between truth and
One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
is one of the earliest embodiments of the Renaissance preoccupation with antique models
