Meintest du modell?
Gerrit Dou, considered the founder of the Dutch school of fijnschilderij , or fine painting, was born in Leiden on April 7, 1613, the son of Marytje Jansdr van Rosenburg and the glassmaker and engraver Douwe Jansz. According to Orlers, Dou received his first instruction, in the art of glass engraving, from his father.
confusion stemming in part from the fact that Dou and Rembrandt shared subjects and models
Photographers of the 1970s revolutionized the medium through innovations of both style and subject.
She used models to reenact her imagined youth, blurring the lines between truth and
From the Native peoples lobbying to keep their homelands to immigrants facing challenges in their new home, works from our collection help us understand our nation’s beginnings.
(While many were still living, Saint-Gaudens did not use any of them as models.)
One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
is one of the earliest embodiments of the Renaissance preoccupation with antique models
The New York Zoological Park (now the Bronx Zoo) provided the artist with ready models
The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer’s debut as a painter. The painting was enthusiastically admired.
"He at this moment wields a better pencil, models better, colors better, than many
A bureaucrat, as well as an artist, Andrea di Vanni was a prominent member of the Riformatori, a political faction that ruled the city of Siena from 1368 to 1385. The extent to which this painter was occupied with governmental affairs makes it somewhat remarkable that he was able to accept and fulfill major artistic commissions.
Pinacoteca Nazionale in Siena (inv. no. 114), are clearly dependent on artistic models
probably similar in character to the goat drawing. [16] Drawings likely served as models
The figures were done almost entirely without models, and the dry, blowing grass
œCaravaggisti.â€� [4] Like Caravaggio, these artists generally worked directly from models
