Rembrandt’s workshop thus could have taken many forms: Rembrandt could have provided a model
Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its warmth.
For members of the workshop, she may have served as a model for replication, and
In the Washington painting the model for Joseph was almost certainly Titus, Rembrandtâ
clearly echoes that of the Madonna of the Annunciation in the Uffizi (apparently the model
The model for the panel in the Accademia, for example, could have been an image of
The model for the panel in the Accademia, for example, could have been an image of
The model for the panel in the Accademia, for example, could have been an image of
Design, 1923–1972 Juliet Koss, Scripps College Ailsa Mellon Bruce Senior Fellow Model
same time.� Perhaps it would be permissible to speak of the reuse of the same model
, that the version painted for the polyptych of Pisa around 1319–1320 was the model
