While the thick impastos and bold strokes he used to model his face still create
LAILA LALAMI: I’m not at all surprised to learn that the model for this painting
Use your smartphone to explore a wide range of works through the voices of National Gallery of Art curators. Set your own pace by listening to as many stops as you like in the order you choose. Don’t forget to bring your headphones! To listen to information about a work of art, enter the stop number in the box below, select „go“, and press the play button when the stop appears. Â
I also worked as a model for artists, like the painter Edouard Manet who made this
shoulder, is consistent with Rembrandt self-portraits [fig2], the brushwork used to model
immediately embraced and will long stand as a standard reference source and as a model
When The White Girl debuted in London in 1862, it puzzled viewers. At the time, portraits of this scale usually featured well-known people.
Hiffernan was Whistler’s primary model and collaborator during the early 1860s.
€“1669), whose influence is evident in Bol’s choice of an aged and rough-hewn model
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LAILA LALAMI: I’m not at all surprised to learn that the model for this painting
Lorenzo de‘ Medici, the brilliant, learned, and ruthless head of a wealthy banking family, ruled the Italian city-state of Florence in the Renaissance. This bust may copy a wax statue made to commemorate Lorenzo’s survival in 1478, when an assassination plot took the life of his younger brother.
Lorenzo de‘ Medici possibly 1513/1520 Florentine 16th Century, probably after a model
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
This attractive model has been repeatedly identified as a young servant girl in Rembrandtâ
