Meintest du modell?
While the thick impastos and bold strokes he used to model his face still create
LAILA LALAMI: I’m not at all surprised to learn that the model for this painting
Use your smartphone to explore a wide range of works through the voices of National Gallery of Art curators. Set your own pace by listening to as many stops as you like in the order you choose. Don’t forget to bring your headphones! To listen to information about a work of art, enter the stop number in the box below, select „go“, and press the play button when the stop appears. Â
I also worked as a model for artists, like the painter Edouard Manet who made this
shoulder, is consistent with Rembrandt self-portraits [fig2], the brushwork used to model
When The White Girl debuted in London in 1862, it puzzled viewers. At the time, portraits of this scale usually featured well-known people.
Hiffernan was Whistler’s primary model and collaborator during the early 1860s.
€“1669), whose influence is evident in Bol’s choice of an aged and rough-hewn model
An artist, an ecologist, a poet, a chef, a ballet dancer – and more! Discover notable people exploring the many stories revealed in art from the National Gallery’s rich collections. Set your own pace by selecting as many tour stops as you like, in the order you choose. Just enter the track number below, press go, then press the play button when the tour stop appears. Don’t forget your headphones!  Made possible by a grant from the Alice L. Walton Foundation
LAILA LALAMI: I’m not at all surprised to learn that the model for this painting
How do portraits influence the way we see historic figures? David shows Napoleon Bonaparte working tirelessly for the people of France.
Napoleon was a military genius whose code became the model of modern legal systems
In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations.
sketch of the overall composition, he likely painted the actual portrait from a model
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
This attractive model has been repeatedly identified as a young servant girl in Rembrandtâ
