Meintest du modell?
This early 20th century art movement sought to convey the intensity of modern life.
This influenced artists such as Käthe Kollwitz, who used herself as a model and
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
This model appears in another tronie dated 1653, so this work probably dates from
Son of Daddo di Simone, Bernardo is recorded for the first time in the registers of the Arte dei Medici e Speziali when he enrolled in the guild (which also included artists) between 1312 and 1320.[1] By this date he must have been a firmly established painter, as the reconstruction of his oeuvre also suggests; presumably, he had been born by the last decade of the thirteenth century, if not earlier.
chromatic harmonies of his compositions, would strongly influence and serve as a model
Jacopo Tintoretto was, along with Titian and Paolo Veronese , one of the three giants of 16th-century Venetian painting. No one else came close to matching the sheer number of pictures he provided for Venice’s churches, confraternities, government buildings, and private palaces.
In portraiture, by contrast, Tintoretto favored an understated model based upon prototypes
Its physiognomic difference may reflect a different life model.
: “The view of the sea seen through the opening in the wall suggests that the model
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
old man wearing a beret is one of four oil studies on panel that depict the same model
1650s initiated a new fashion of portraiture in his native city patterned on the model
With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
Van Dyck probably based his visage on a living model rather than an ancestral portrait
Albert Bierstadt created this scenic view of Lake Lucerne and the Swiss Alps using dozens of sketches he made on-site. Bierstadt, a German immigrant, had returned to his birthplace for training.
Though set in Europe, this breakthrough work would serve as a model for Bierstadtâ
