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The Kiss (Le Baiser) by Auguste Rodin

https://www.nga.gov/artworks/1008-kiss-le-baiser

Nineteenth-century viewers and critics were immediately taken with Rodin’s three-dimensional group, entitled Paolo and Francesca , the passionate lovers from the fifth canto of Dante’s Inferno . When one enthusiastic critic referred to it as The Kiss , the new title stuck, and the association with Dante’s ill-fated lovers gave way to a more contemporary, universal response to their passionate embrace.
National Gallery Nights Matisse Advanced Artwork Search The Kiss (Le Baiser) model

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La Méditerranée by Aristide Maillol

https://www.nga.gov/artworks/93096-la-mediterranee

At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
bronze versions cast after 1905. [5] According to Dina Vierny, Maillol’s last model

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"Who Is Sylvia? What Is She, That All the Swains Commend Her?" by Edwin Austin Abbey

https://www.nga.gov/artworks/177906-who-sylvia-what-she-all-swains-commend-her

Fascination with the life and times of William Shakespeare abounded in the Victorian world, especially in London, where American artist Edwin Austin Abbey settled permanently in 1883. The Bard’s writings provided lifelong inspiration for Abbey:
the Royal Academy, Abbey scraped out Sylvia’s head and repainted it from another model

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