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Joan Miró i Ferrà was a Catalan-Spanish painter, sculptor, ceramicist, and printmaker. A key figure in the development of modernism, Miró was one of the great originals of 20th-century art.
Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash) Joan Miró model
Matisse Advanced Artwork Search Nature Unveiling Herself before Science model
Discover works by J. Pierpont Morgan, Sr. and learn about the artist
Building, M-059 Download artwork Artwork Venus and Cupid Venus and Cupid model
National Gallery Nights Matisse Advanced Artwork Search The Dancers model
Discover works by Ken Hakuta and learn about the artist
video with one 13" monitor, vintage cabinet from Zenith CRT porthole television, model
Discover works by J. Pierpont Morgan, Sr. and learn about the artist
Building, M-059 Download artwork Artwork Venus and Cupid Venus and Cupid model
Students will be introduced to one of the basic elements of art—form—by analyzing the types of forms and materials used in various sculptures. Students will then experiment with line in both two and three dimensions to see how shapes become forms.
Slideshow: Form in Works of Art Roy Lichtenstein American, 1923–1997 House I, model
The sculpture of Polish artist Magdalena Abakanowicz is largely drawn from her experience of World War II and its aftermath. She is best known for her „crowds“ (as she calls them) of headless, rigidly posed figures whose anonymity and multiplicity have been regarded as the artist’s personal response to totalitarianism.
made from individually sculpted wax forms based on a body cast of a single child model
Accompanying the National Gallery of Art exhibition Philip Guston Now, this fully illustrated catalog presents a sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master.
bewilderment from his peers―reinforced his reputation as an artist’s artist and a model
Novelist Laila Lalami and curator and head of French paintings Mary Morton discuss the histories and legacies surrounding Renoir’s imagined portrayal of an Algerian woman.
LAILA LALAMI: I’m not at all surprised to learn that the model for this painting
