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Untitled by Alexander Calder

https://www.nga.gov/artworks/56517-untitled

Alexander Calder’s monumental mobile moves solely on the air currents in the East Building’s Central Court. The sculptor originally intended the work to have a motor, but the use of advanced, lightweight materials made this unnecessary.
April 28, 1972, Calder composed the original maquette, or small three-dimensional model

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William Glackens | National Gallery of Art

https://www.nga.gov/artists/1347-william-glackens

William James Glackens was born in Philadelphia on March 13, 1870, to Elizabeth Finn Glackens and Samuel Glackens, a clerk for the Pennsylvania Railroad. Both William and his older brother, Louis (American, 1866–1933), who would later become an illustrator, showed an early talent for drawing.
Glackens met Robert Henri (American, 1865–1929), who became a teacher and role model

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Capricorn by Max Ernst

https://www.nga.gov/artworks/57105-capricorn

„In the summer of 1947, Max Ernst, exuberant and inspired by the arrival of water piped to our house (up to then we had hauled it from a well five miles away), began playing with cement and scrap iron with assists from box tops, eggshells, car springs, milk cartons and other detritus. The result:
Landscape National Gallery Nights Matisse Advanced Artwork Search Capricorn model

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A Vestal by Clodion

https://www.nga.gov/artworks/41714-vestal

Known for playfully sensuous terracotta nymphs and satyrs, Clodion also portrayed more serious subjects from Classical myth and history. An ancient draped figure at the Uffizi in Florence, then known as a vestal, inspired him during a stay in Italy to make several statuettes of a priestess of the Roman hearth goddess Vesta, pouring out oil to feed the sacred fire.
and carved the fine raised folds and clinging panels of drapery to appreciatively model

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The Elements of Art: Form | National Gallery of Art

https://www.nga.gov/educational-resources/elements-art/elements-art-form

Students will be introduced to one of the basic elements of art—form—by analyzing the types of forms and materials used in various sculptures. Students will then experiment with line in both two and three dimensions to see how shapes become forms.
Slideshow: Form in Works of Art Roy Lichtenstein, House I, model 1996, fabricated

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