Sculptor close to Donatello – Cherub and shell – Italian, Florence – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/202237
Giambologna (Netherlandish, Douai 1529–1608 Florence) 1590s Trotting horse After a model
Giambologna (Netherlandish, Douai 1529–1608 Florence) 1590s Trotting horse After a model
While other Wari bottles have a similarly flattened body, this model differs in that
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
–2019), where she was the curator of the exhibition Posing Modernity: The Black Model
Barye was the preeminent sculptor in the nineteenth century specializing in animal subjects and a major figure of the Romantic movement. His work is imbued with a naturalism anchored in close observation of anatomy and a remarkable ability to portray an animal’s cast of mind, whether at rest or in motion, alone or in groups
It is possible that The Met’s painting served as a model for the more freely executed
This is a signed early work by Cuyp, probably painted about 1643–44. Although larger than most works painted by the artist when he was in his early to mid-twenties, the painting shares with them a fluid touch and a palette reminiscent of Jan van Goyen; pale browns and yellows blend together in the landscape, tans and grays in the costumes, and blues in the sky
animals from offstage is a common occurrence in the elder Cuyp’s oeuvre, where a model
The Artist: Ambrosius Benson is most noted as a North Italian painter who went to study and work in Bruges. As a result, his works are a unique conflation of Netherlandish and Italian Renaissance styles
1984) mainly saw David’s version in the National Gallery, London, as Benson’s model
Jean de Berry is the great exemplar of late medieval patronage, and one of the greatest patrons of art of all time.
Emperor Constantine (r. 307–337) Reverse: Allegory of Salvation French ca. 1402–13 (model
At its height in the eighth to seventh century B.C., the Assyrian Empire was the dominant power of the ancient Near East and the largest empire the world had yet seen, reaching from Assyria (present-day northern Iraq) to the Mediterranean. This landmark exhibition traces the deep roots of interaction between the ancient Near East and the lands along the shores of the Mediterranean and their impact on the artistic traditions that developed in the region.
The exhibition will include a model of Babylon’s famed Ishtar Gate and Processional
the male and female lions was ordered, it appears that a lesser number of each model
Learn about the different sections of „Pergamon and the Hellenistic Kingdoms of the Ancient World.“
Alexander was a model for his Successors, who sought to link themselves to their