Henri Matisse – Laurette in a Green Robe, Black Background – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/489996
almost fifty made between 1914 and 1917, when the artist worked with an Italian model
almost fifty made between 1914 and 1917, when the artist worked with an Italian model
This exhibition brings together some thirty objects from across the Museum and from local private collections to highlight the second generation of the Pre-Raphaelites, focusing on the key figures Edward Burne-Jones, William Morris, and Dante Gabriel Rossetti.
Rossetti balanced such imagery with more spiritualized conceptions inspired by his model
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
the present day, providing a contemporary perspective on a centuries-old Buddhist model
Antwerp], 1978, p. 35, under no. 8, states that Catharina van Noort served as the model
London, 1984, pp. 255–56, under no. 19, identifies the model as Pierre Matisse
Paris, 1856, pp. 94, 102, 104, quotes Corot’s criticism of the model for Hagar; compares
The first Asian designer to become a member of the Paris haute couture syndicate, Hanae Mori occupied a singular position at the forefront of the global fashion industry over the course of her storied five-decade career.
Mori adopted the so-called demi-couture business model, in which local retailers
The Middle Kingdom (mid-Dynasty 11–Dynasty 13, ca. 2030–1640 B.C.) began when Nebhepetre Mentuhotep II reunited Upper and Lower Egypt, setting the stage for a second great flowering of Egyptian culture.
Model of a Porch and Garden ca. 1981–1975 B.C.
By the mid-nineteenth century, art devoted to Shakespeare was an international phenomenon.
his unconventional ideas to the company, Craig carved wooden characters and built model
Arts and Crafts designers sought to improve standards of decorative design, believed to have been debased by mechanization, and to create environments in which beautiful and fine workmanship governed.
and art critic John Ruskin (1819–1900), who advocated medieval architecture as a model