Meintest du modell?
In one remarkable decade, Sargent gained acclaim with bold portraits and figure paintings that challenged artistic conventions.
Sargent c. 1874-1877 Man Wearing Laurels John Singer Sargent 1874-1880 A Male Model
The king favored carved and gilded wood furniture and commissioned a broad range of objects in solid silver that included tall candlestands, massive tables, benches and stools, chandeliers, and mirror frames.
In spite of this awkwardness, Boulle’s model was duplicated many times over a period
almost fifty made between 1914 and 1917, when the artist worked with an Italian model
The factory’s output reflected an ongoing desire for technical innovation as well as a wide embrace of diverse decorative styles that were employed simultaneously.
This tendency is reflected in a pair of vases ( 1992.23.1) for which the model was
A selection of the artist’s prints candidly portrays the experience of women during periods of political oppression.
Rather than copy the pastels, she restaged the scenes and worked directly from her model
Hals’ portraits suggest friendliness, preoccupation, or reserve, without giving away much about the person.
became more inspiring to Realist and Impressionist painters than was the venerable model
Though the earliest references to the term “Hudson River School” in the 1870s were disparagingly aimed, the label has never been supplanted and fairly characterizes the artistic body, its New York headquarters, its landscape subject matter, and often literally its subject.
Durand in both word and practice, outdoor sketching in oils as the foundation of and model
How does contemporary fashion engage with African dress traditions to explore Black identity?
Rather than mimic the sharp lines of Savile Row, Wales Bonner swathes her model in
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
the present day, providing a contemporary perspective on a centuries-old Buddhist model
This exhibition brings together some thirty objects from across the Museum and from local private collections to highlight the second generation of the Pre-Raphaelites, focusing on the key figures Edward Burne-Jones, William Morris, and Dante Gabriel Rossetti.
Rossetti balanced such imagery with more spiritualized conceptions inspired by his model
