Meintest du modell?
Rubens and van Dyck are among the finest draftsmen of all times. The works they left behind probably count, respectively, some 700 and 200 sheets.
This stage would be followed by chalk studies from the live model, not in trois crayons
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
the present day, providing a contemporary perspective on a centuries-old Buddhist model
The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
into the nineteenth century, with Manet’s portrayal of Victorine Meurant (the model
Antonio Canova is considered the greatest Neoclassical sculptor of the late eighteenth and early nineteenth centuries.
to have one of Canova’s working casts, Cupid and Psyche ( 05.46), a preparatory model
As a painter of religious pictures, mythological scenes, classical and modern history, and portraits, Rubens had a broader impact than Van Dyck. But as a portraitist, Van Dyck was far more influential, especially in England.
antiquity and Italian painters, concentrating—far more than Rubens had—on the single model
crop—were metaphors for regeneration and resilience, and, at least for kings, a model
Félix Vallotton (1865–1925) chronicled the political and social upheavals of fin-de-siècle Paris like no other artist of his generation. In darkly suggestive paintings and graphically spare prints, he lampooned the bourgeoisie with acerbic wit and laid bare the turmoil of Vallotton’s Vallotton’s
Ever the detached observer, Vallotton relied on a single sketch of his model drawn
Folio from the ChingiznamaThis late sixteenth-century Mughal painting comes from a copy of the Chingiznama1 (Book of Genghis Khan; also known as the Genghisnama), the text of which is an extract from Rashid al-Din’s fourteenth-century Jami‘ al-tawarikh (Compendium of Chronicles) that describes the life of Genghis Khan and his descendants
right who points at one of the sons, or the woman at the left who holds a glass model
Jewish ceremonial objects—collectively referred to as Judaica—that survive from early modern Italy highlight the vibrant Jewish life from that period and region, even if Jews were generally restricted from producing these works.
Torah finials (rimonim) Andrea Zambelli „L’Honnesta“ ca. 1740–50 Architectural model
Aix-en-Provence) 1890–92 Buddha of Medicine Bhaishajyaguru (Yaoshi fo) ca. 1319 Model
