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Senufo Sculpture from West Africa: An Influential Exhibition at the Museum of Primitive Art, New York, 1963 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/senufosculpturefromwestafricaaninfluentialexhibitionatthemuseumofprimitiveartnewyork1963

Senufo Sculpture from West Africa and its precursor [exhibition] set a precedent for the exhibition and study of African art that prevailed for decades.
organized the exhibition Senufo Sculpture from West Africa, Goldwater drew on the model

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James M. Saslow on Sensuality and Spirituality in Michelangelo’s Poetry – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/james-saslow-interview-michelangelo-poetry

Research Assistant Jeffrey Fraiman sits down with scholar James M. Saslow to discuss Michelangelo’s practice as a poet, the meaning of his gift drawings, and the study of the artist’s homoeroticism since his death in 1564.
works on paper by Michelangelo, including quick sketches, figure drawings after the model

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Patronage at the Later Valois Courts (1461–1589) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/patronage-at-the-later-valois-courts-1461-1589

The later Valois kings, who unified France and strengthened its power after the Hundred Years’ War, frequently engaged in diplomacy and warfare in Italy; exposure to Italian art gradually formed their taste.
indicative of the esteem in which Pilon was held in his own time, the terracotta model

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