Dein Suchergebnis zum Thema: Model

Meintest du modell?

Early Documentary Photography – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/early-documentary-photography

Photographers used its growing influence to expose society’s evils, which the prosperous, self-indulgent Belle Époque chose to ignore: the degrading conditions of workers in big-city slums, the barbarism of child labor, the terrorism of lynching, the devastation of war.
building codes and slumlord-tenant relations, the book continues to serve as a model

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Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Works on Paper – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/peter-paul-rubens-1577-1640-and-anthony-van-dyck-1599-1641-works-on-paper

Rubens and van Dyck are among the finest draftsmen of all times. The works they left behind probably count, respectively, some 700 and 200 sheets.
This stage would be followed by chalk studies from the live model, not in trois crayons

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Simon Vouet – Woman Playing a Guitar – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/747607

The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
into the nineteenth century, with Manet’s portrayal of Victorine Meurant (the model

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Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Paintings – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/peter-paul-rubens-1577-1640-and-anthony-van-dyck-1599-1641-paintings

As a painter of religious pictures, mythological scenes, classical and modern history, and portraits, Rubens had a broader impact than Van Dyck. But as a portraitist, Van Dyck was far more influential, especially in England.
antiquity and Italian painters, concentrating—far more than Rubens had—on the single model

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Exhibition Galleries | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2019/felix-vallotton-painter-disquiet/exhibition-galleries

Félix Vallotton (1865–1925) chronicled the political and social upheavals of fin-de-siècle Paris like no other artist of his generation. In darkly suggestive paintings and graphically spare prints, he lampooned the bourgeoisie with acerbic wit and laid bare the turmoil of Vallotton’s Vallotton’s
Ever the detached observer, Vallotton relied on a single sketch of his model drawn

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