Meintest du modell?
The Ottonian revival coincided with a period of growth and reform in the church, and monasteries produced much of the finest Ottonian art, including magnificent illuminated manuscripts, churches and monastic buildings, and sumptuous luxury objects intended for church interiors and treasuries.
versions of the subject, but the Ottonian artist has modified the style of his model
While religious themes had dominated Limoges enamels in the Middle Ages and continued to cover the surfaces of Limoges plaques particularly in the first third of the sixteenth century, images of Greek and Roman subjects predominated from the 1530s.
The painter varied his work from the printed model, changing the format, often reducing
Textile FragmentProbably from a blanket or cover, this scene is an abbreviated version of the triumphal procession of the Greek god Dionysus, which often included figures of the hero Heracles
medallion may be due either to work shop copying or to the use of a more abstract model
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Post-Revolutionary America: 1800–1840 Timeline of Art History | Essay From Model
Rembrandt was fascinated with subjects from the Old and New Testaments and, enjoyed revealing the realistic human emotion and narrative detail inspired by these stories.
seemingly naturalistic studies of people on the street were no doubt created on the model
Inscription: Stickers: [1] HILLINGDON – 148/Dated E – 1757/Exhibited Three Reigns/Exhb. 1933. No. 469/South Kensington 1862/Nos. 1272 and 1273; [2] S.L.4340.6,7/Anonymous; [3] By DUPLESSIS/Active 1750–1774
1695–1774, active 1748–74) ca. 1758 Two wall sconces (Bras de cheminée) Model
West Dean, Sussex, England, 1907‒San Remo, Italy, 1984
artist to create three large paintings for the ballroom of his London home: The Red Model
Keith Christiansen discusses the presence of Charles Le Brun in his portrait of the banker Everhard Jabach and his family.
pp. 164–65): "An instrument of reflection, [the mirror] also offered itself as a model
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Daniel Mauch 1530 Neptune Riding a Dolphin Peter Flötner ca. 1530 Pendant model
European artists from the Renaissance onward have visualized the known world through allegorical figures derived from ancient Egyptian, Greek, and Roman personifications.
surrounded by numerous objects that emphasize her sophistication (architectural model
