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Head of Holofernes   Andrea Briosco, called Riccio   late aftercast of 16th century model
Meintest du modell?
Search art at the Metropolitan Museum.
Head of Holofernes   Andrea Briosco, called Riccio   late aftercast of 16th century model
The powerful expressivity of his art made him the greatest sculptor of the early Renaissance.
The model has even been attributed to Donatello himself.
Podgorze, Poland, 1870–1952
translated by the British occultist Aleister Crowley; and the autobiography of the model
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Avalokiteshvara and Maitreya   India, Bihar, Nalanda monastery   late 10th–11th century   Model
Accession Number: 1992.165.21 Ewer with Elephant-Headed Spout late 2nd–3rd century Model
bronze’s popular title, "Black Venus," reflects the rarity of using an African model
detail, Manet did not disguise the fact that it was composed in a studio using a model
Keith Christiansen takes a closer look at some of the objects in the Museum’s recently acquired Jabach portrait.
at right belonged to Cardinal Mazarin—but so far have come up with no compelling model
A compilation of remarkable things was attempted as a mirror of contemporary knowledge, regardless of whether those objects were created by the genius of man or the caprice of nature.
Charity   Peter Flötner   ca. 1540   Temperance   Peter Flötner   ca. 1540   Goldsmith’s model
This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Exposure—Graham’s 1995 proposal for an exhibition in Germany (represented here by a model