Sculptors did not model their images on living beings: whether the subject was a
Sculptors did not model their images on living beings: whether the subject was a
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Inscription: Inscribed on the top of the barrel: COLT’S PATENT; stamped at the front of the trigger guard, on the base of the frame in front of the trigger guard, and at the base of the loading lever, the serial number: 38549; stamped on the rear root of the trigger guard loop on the left side: 36 CAL
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Throughout the ages, public sculptures have served as didactic tools, offering moral, patriotic, and cultural instruction. Symbols of pride, they have proclaimed cities as tastemakers in civic and aesthetic matters.
“From Model to Monument: American Public Sculpture, 1865–1915.”
the artist, until died 1925; sale, Christie, Manson and Woods, London, 27 Jul. 1925, no. 199; with Smith, London; Marquis de Amodio, London, 1925–1934; his son, Marquis de Amodio, Geneva, 1934–1972
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Made by Daniel Tachaux in The Metropolitan Museum of Art, Armor Workshop, New York (about 1917; sent to Worcester Pressed Steel); Worcester Pressed Steel Company, Worcester, Mass. (about 1917–after 1931; transferred to Higgins Armory Museum); Higgins Armory Museum, Worcester, Mass
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JOURNAL | VOLUME 45 "’The great Dragon rifeth vp with a straight ftalke‘: A Possible Model
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Model Sporting Boat ca. 1981–1975 B.C.
