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Fragment probably 8th–12th century Stucco Fragment probably 8th–12th century Model
Search art at the Metropolitan Museum.
Fragment probably 8th–12th century Stucco Fragment probably 8th–12th century Model
Berlin, 1871–Berlin, 1942
study of Egyptian sculpture represent a transcultural, non-linear evolutionary model
The mobility of late medieval artists ensured the dissemination of styles over wide geographic areas.
as well as more modest works that could be entrusted to an assistant following a model
Search art at the Metropolitan Museum.
1937 Aeolian Harp British late 19th century Aeolian Harp 1800–1851 Les Paul Model
We can speculate about some of Wah’s duties thanks to a set of wooden models that
Model of a Granary with Scribes ca. 1981–1975 B.C.
With less than a week left to visit Celebrating Tintoretto: Portrait Paintings and Studio Drawings, one of the exhibition’s curators muses on the vibrant modernity and astonishing immediacy of Jacopo Tintoretto’s small-scale portraits.
female form, the majority of which show no attempt to idealize or beautify the model
Karlskrona, Sweden 1887–Berne, 1975
][1913; Christie’s, New York, November 6, 2007 and Composition [Study for “Nude Model
Inspired in part by pre-war European efforts to democratize design through industrial production, [the Good Design] movement energetically promoted modern design to the American consumer through museum exhibitions, trade shows, and advertising.
Gispen ca. 1928 "Siège à Dossier Basculant" Armchair (model B 301) Le Corbusier
the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
"Manet: A Model Family," October 10, 2024–January 20, 2025, no. 14.
Three scholars from across The Met work together to see beneath a Louis C. Tiffany drawing.
The model personifying Literature in the center panel is likely Tiffany’s then-adolescent