After a composition by Donatello – Dancing children (one of a pair) – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/189523
(Italian, Florence ca. 1386–1466 Florence) 1457 Madonna and Child After a model
Dein Suchergebnis zum Thema: Model
Meintest du modell?
Royal bust with atypical snake – Late Period–Ptolemaic Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/545990
many instances can be noted where the object simply could not serve as a suitable model
The Art, Form, and Function of Gilt Bronze in the French Interior – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-art-form-and-function-of-gilt-bronze-in-the-french-interior
A rigid guild system maintained high standards of craftsmanship and regulated the process of gilt-bronze manufactory.
on a two-dimensional design, a carver or sculptor would make a three-dimensional model
Shang and Zhou Dynasties: The Bronze Age of China – The Metropolitan Museum of Art https://www.metmuseum.org/essays/shang-and-zhou-dynasties-the-bronze-age-of-china
Jade, along with bronze, represents the highest achievement of Bronze Age material culture.
In piece-mold casting, a model is made of the object to be cast, and a clay mold
Mandalas: Mapping the Buddhist Art of Tibet – The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/mandalas-mapping-the-buddhist-art-of-tibet
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
the present day, providing a contemporary perspective on a centuries-old Buddhist model
Andrea Briosco, called Riccio – Entombment – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/461525
Henry Oppenheimer, London; Oppenheimer sale, Christie’s, London, 28 July 1936, lot 239 (as „very fine“; for pounds 16 to [John Hunt, London]). Acquired by Robert Lehman through Hunt from the Oppenheimer sale
built with ACNLPatternTool Entombment Andrea Briosco, called Riccio Italian model
Auguste Rodin (1840–1917) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/auguste-rodin-1840-1917
The increasingly erotic character of Rodin’s sculpture in the 1880s can be explained by his preoccupation with two highly charged literary sources. These were Dante’s Inferno and Baudelaire’s The Flowers of Evil.
Rodin modeled 1880 or 1881, cast 1910 The Hand of God Auguste Rodin original model
Giambologna – Seated woman representing Astrology – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/682087
perhaps Giambologna’s patron, Bernardo Vecchietti (1514–1519) ; perhaps one of the waxes purchased by William Lock , Norbury Park, Surrey, England, from a descendant of Vecchietti’s in the late 18th century; [ perhaps one of the waxes listed in Locke collection sale, Christie’s, London , April 16, 1785) ; Sir Thomas Lawrence , London (until 1830; his sale, Christie’s, London, June 19, 1830, lot 352; sold to Richard Ford); [ Colnaghi , as agent for Ford, 1830 ] ; Richard Ford (1830–d
Douai 1529–1608 Florence) early 17th century River God (one of a pair) After a model
Jean Auguste Dominique Ingres – Study for „Raphael and the Fornarina“(?) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459965
Signature: Signed (lower left): Ingres-Marking: Circular collection stamp (with two concentric circles) of Etienne-François Haro in red (lower right): Collection/Haro [in exterior circle]/Ingres[in central circle]
In the painting, Raphael appears in the studio with his fabled mistress-model “La
Ken Parker – Archtop guitar – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/677213
Ken Parker, of Gloucester, Massachusetts who attained great fame for his „Fly“ model