Pride at Mia –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/explore/making-connections/pride-at-mia
Selleck worked collaboratively with each model to present a more vulnerable version
Dein Suchergebnis zum Thema: Model
Can You Name Five Women Artists? –– Minneapolis Institute of Art https://new.artsmia.org/hub/collection-exhibitions/can-you-name-five-women-artists
while critiquing traditional portraiture and the relationship between artist and model
Southwest artist Juan Lucero joins Mia through Native American fellowship –– Minneapolis Institute of Art https://new.artsmia.org/stories/southwest-artist-juan-lucero-joins-mia-through-native-american-fellowship
His work may even serve as a model for going about it the right way, says Ahlberg
Vitality Arts at Mia –– Minneapolis Institute of Art https://new.artsmia.org/programs/vitality-arts-at-mia
students created gesture drawings, contour drawings, and even collage from a live model
The uncompromising art and life of Louise Catherine Breslau –– Minneapolis Institute of Art https://new.artsmia.org/stories/the-uncompromising-art-and-life-of-louise-catherine-breslau
Louise Catherine Breslau, “The Artist and Her Model,” 1921. Oil on canvas.
“Thing of Gladness”: Eharo Dance Mask –– Minneapolis Institute of Art https://new.artsmia.org/hub/collection-exhibitions/thing-of-gladness-eharo-dance-mask
Eharo dance mask without totemic model.
Mia is diversifying its collection—so how does that work? –– Minneapolis Institute of Art https://new.artsmia.org/stories/mia-is-diversifying-its-collection-so-how-does-that-work/
Mia has also shifted its curatorial model to include non-curators in some exhibition
Mia is diversifying its collection—so how does that work? –– Minneapolis Institute of Art https://new.artsmia.org/stories/mia-is-diversifying-its-collection-so-how-does-that-work
Mia has also shifted its curatorial model to include non-curators in some exhibition
The surprising, creative legacy behind “The Contemporary Print” –– Minneapolis Institute of Art https://new.artsmia.org/stories/the-surprising-creative-legacy-behind-the-contemporary-print
And eventually the model of what came to be known as collaborative printmaking was
Saymoukda Duangphouxay Vongsay on curating this month’s Open House: Welcome Home –– Minneapolis Institute of Art https://new.artsmia.org/stories/saymoukda-duangphouxay-vongsay-on-curating-this-months-open-house-welcome-home
She mentioned the current exhibit and the Open House model and I was like, “This