Dein Suchergebnis zum Thema: Mittelalter

In Der Mittelalterliche Kreuzgang: Architektur, Funktion und Programm, edited by

Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
Mittel-Alterliche Gläser und Steinschnitt-arbeiten aus dem Nahen Osten. 2 vols.

Inscription: (on each corner and in center): A [image of a knot] E [reversed] (unidentified)(on red horn): W [backwards E] D H N O H N M E H O M (too fragmentary for interpretation)
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Italienische Bruderschaftsbanner des Mittelalters und der Renaissance.

From the Saint Anne Portal, Cathedral of Notre-Dame, Paris (ca. 1180–ca. 1793 (?)).; possibly Dr. Lecorché, France (?); [ Lucien J. Demotte, Paris and New York (through Manuel Cobo, by 1930–sold 1937)]; [ C
"Gefälschte mittelalterliche Skulpturen."

Mosque LampThis lamp has a flattened, almost globular body with a long flared neck and a low folded foot. Three suspension loops are attached to the body. The enameled and gilded decoration consists of three main registers and four narrower bands of continuous vegetal patterns
Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten.

The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
Die Malerei und Plastik des Mittelalters in Italien.

The Painting: In a small apsidal chapel, the Virgin Mary tenderly embraces the Christ Child while nursing him. She wears a blue underdress beneath a very pale blue robe and mantle. Her long, curly hair cascades down her shoulders
Robert van der Kampine und Roger van der Weyden: Kompositionsgesetze des Mittelalters