The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Ritterleben und aus der Ritterdichtung: nach Elfenbeingebilden und Gedichten des Mittelalters
Kopfreliquiare des Mittelalters. Leipzig: Insel Verlag, 1964. p. 128, pl. 28.
Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten.
Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
Mittelalterliche Bronze- und Messinggefässe: Eimer, Kannen, Lavabokesse.
Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten.
In Fructus operis II: Beiträge zur liturgischen Kunst des frühen Mittelalters:
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
Elfenbeinarbeiten der Spätantike und des frühen Mittelalters. 2d ed.
The Artist: Giotto is the key figure of Western painting. His emphasis on solidly described figures and his exploration of a rational pictorial space set the course of European art for the next five hundred years
Die Malerei und Plastik des Mittelalters in Italien.
BottleThis large bottle has a domed profile, a slightly flared cylindrical neck, and a low tooled foot. The decoration is divided into a series of bands. The band on the upper body includes three large medallions, each containing an eight-petaled green-and-red central star from which a complex scrolling pattern radiates outward to create a floral pattern; the outlines are in red, the background is blue and gold, and there are eight alternating pointed elements in red and white
Mittel-Alterliche Gläser und Steinschnitt-arbeiten aus dem Nahen Osten. 2 vols.
Often inscribed with the rulers’ names, as well as with dates and sites of production, these textiles provide a window into the political and religious life of early Islam.
In Islamische Textilkunst des Mittelalters: Aktuelle Probleme.
