Dein Suchergebnis zum Thema: Mittelalter

The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Wort und Bild im späten Mittelalter am Beispiel des Breslauer Barbara-Altars (1447

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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Wort und Bild im späten Mittelalter am Beispiel des Breslauer Barbara-Altars (1447

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Tusk Fragment with the Ascension – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/453638

Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
Elfenbeinarbeiten der Spätantike und des frühen Mittelalters. 2d ed.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

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Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471911

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

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