Dein Suchergebnis zum Thema: Mittelalter

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Wort und Bild im späten Mittelalter am Beispiel des Breslauer Barbara-Altars (1447

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Wort und Bild im späten Mittelalter am Beispiel des Breslauer Barbara-Altars (1447

"Gegossene Phantasien: Mittelalterliche Aquamanilien und ihre Herstellung."

The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Ritterleben und aus der Ritterdichtung: nach Elfenbeingebilden und Gedichten des Mittelalters

Kopfreliquiare des Mittelalters. Leipzig: Insel Verlag, 1964. p. 128, pl. 28.

Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten.

Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
Mittelalterliche Bronze- und Messinggefässe: Eimer, Kannen, Lavabokesse.

Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Mittelalterliche Gläser und Steinschnittarbeiten aus dem Nahen Osten.

In Fructus operis II: Beiträge zur liturgischen Kunst des frühen Mittelalters:

Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
Elfenbeinarbeiten der Spätantike und des frühen Mittelalters. 2d ed.