Dein Suchergebnis zum Thema: Mann

Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice by Anonymous Artist

https://www.nga.gov/artworks/46062-girolamo-and-cardinal-marco-corner-investing-marco-abbot-carrara-his-benefice

The Corner family was one of the wealthiest and most influential in Venice. The boy on the left is Marco Corner, named after his uncle, Cardinal Marco, who is shown here handing his namesake a benefice—a church appointment providing income and property in exchange for pastoral duties.
Titian, three half-figures, portraits of the old family Cornaro of Venice” (Victoria Manners

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Willem van de Velde the Elder | National Gallery of Art

https://www.nga.gov/artists/14063-willem-van-de-velde-elder

The marine draughtsman Willem van de Velde the Elder was born in Leiden in 1611, the son of the master of a transport vessel, Willem Willemsz van de Velde. As a boy, Willem may have accompanied his father on sea expeditions, which likely influenced his career as a marine artist.
Ploos van Amstel, Cornelis Brouwer, Christian Josi · published 1821 · chalk manner

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Titian | National Gallery of Art

https://www.nga.gov/artists/1932-titian

One of the towering figures of Italian Renaissance art, Titian dominated painting in Venice from the death in 1516 of his probable master, Giovanni Bellini , until his own death 60 years later. His long career is exceptionally well documented in his middle and later years, but contemporary evidence regarding his birthdate is contradictory, and major problems of dating and attribution still surround his earliest works.
unclear, and it is sometimes supposed that he made small-scale oil sketches, in the manner

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Portrait of a Man in a Wide-Brimmed Hat by Flemish 17th century, Jan Cossiers

https://www.nga.gov/artworks/51096-portrait-man-wide-brimmed-hat

With one arm akimbo and a penetrating, forthright stare, this dashing young man with his wide-brimmed hat exudes confidence and strength. His erect stance as well as the crisp, angular folds of his black satin cloak heighten the impression that he was a man of purpose.
Notably, his manner of accenting the eyes in his drawings of children resembles that

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Simone Martini | National Gallery of Art

https://www.nga.gov/artists/1875-simone-martini

Probably born in Siena, perhaps in 1284 according to uncertain information transmitted by Giorgio Vasari ,[1] Simone must already have been a famous artist when he was commissioned to paint the Maestà fresco in the Sienese seat of government, the Palazzo Pubblico. Signed and dated 1315, it is the earliest surviving of his ascertained works.
and highly innovative artist who had broken away from the prevailing Duccesque manner

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