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Master of the Washington Coronation | National Gallery of Art

https://www.nga.gov/artists/38614-master-washington-coronation

Michelangelo Muraro first coined the conventional name for this artist in 1969 and gathered under it a group of paintings previously attributed in the main to Paolo Veneziano .[1] Muraro also conjectured that the anonymous master might be identifiable with Marco, brother of Paolo, who, according to a document of 1335, must have been a highly esteemed painter at this time, though none of his works have come down to us under his name. However, judging from his stylistic characteristics, the anonymous Master of the Washington Coronation must have belonged to a generation preceding that of Paolo and his brother.
The period of his activity, during which he accepted in an ever more pronounced manner

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Godefridus Schalcken | National Gallery of Art

https://www.nga.gov/artists/25817-godefridus-schalcken

Godefridus Schalcken was born in Made, a town south of Dordrecht, where his father, Cornelis Schalcken, was a minister. Schalcken’s father and his mother, Aletta Lydius, moved their family to Dordrecht in 1654 when Cornelis was appointed principal of the Latin school.
Self-Portrait Cornelis Ploos van Amstel, Christian Josi · published 1821 · chalk manner

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Self-Portrait as a Lute Player by Jan Miense Molenaer

https://www.nga.gov/artworks/118611-self-portrait-lute-player

Jan Miense Molenaer possessed the remarkable ability to create works that were as expressive as they were diverse. Taking inspiration from proverbs, poems, and the Bible, he painted merry companies, tavern groups, biblical scenes, and portraiture with brushwork that ranged from precise and refined to loose and free.
17th-century literature to conducting one’s life in a balanced and harmonious manner

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Northern Landscape, Spring by Caspar David Friedrich

https://www.nga.gov/artworks/130555-northern-landscape-spring

Northern Landscape, Spring is the first oil painting by Caspar David Friedrich (1774 – 1840) or by any artist of the German romantic school—to enter the collections of the National Gallery of Art. It joins a superb pen and sepia wash drawing by Friedrich, Moonrise on an Empty Shore , 1837/1839, acquired in 1992.
There Friedrich learned his delicate and precise manner of painting, and developed

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