Dein Suchergebnis zum Thema: Mann

Mann, 1954. Benson, Elizabeth P. Birds and Beasts of Ancient Latin America.

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Massachusetts (High Tide)," American Art 32 (2) (summer 2018), 100–15 Anne Blood Mann

Mann, 1998. p. 119. Campbell, Thomas P., ed.

Mann, 1998. p. 119. Campbell, Thomas P., ed.

Mann, 1966. pp. 241–242, 289, illus vol II, figs. 412–415.

Mann, 1966. pp. 241–242, 289, illus vol II, figs. 412–415.

Marking: Arms (on thirteen banners atop turrets, on bosses of vaulting above Joshua and David): azure, semé of fleurs-de-lis gold, within a border engrailed gules [Arms of Jean duc de Berry];(on banner next to end turret at right of tapestry): bendy of six, azure and gold [Arms of Burgundy];(on shield at right of figure): argent, a dragon vert [Arms of Joshua];(on shield at right of figure): azure, a harp gold [Arms of David]
Mann, 1966. pp. 241–242, 289, illus vol II, figs. 412–415.

Berlin, 1931, p. 639, ill. p. 377, as "Mann"; locates it still in the Galerie Lé

This large and imposing room has been referred to as the Alexandria Ballroom. Intended to host public assemblies and elegant balls, it was originally located on the second floor of the City Hotel, built in 1792 in Alexandria, Virginia.
George Mann of Annapolis," a noted publican who also hosted many notable historical

The Met’s Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.
Griffith Mann, Philomena Mariani, Justin Marquis, Richard Martin, Taryn Matusik,