Dein Suchergebnis zum Thema: Mann

Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
of the cult in the 1430s in each location, and what are the differences in the manner

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Antonio Pollaiuolo – Study for the Equestrian Monument to Francesco Sforza – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459186?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459186&pkgids=447&pg=0&rpp=20&pos=5&ft=*&offset=20&locale=en

This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
portray the monument as a whole (encompassing both horse and rider), in a detailed manner

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Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/thomas-chippendales-gentleman-and-cabinet-makers-director

The elaborate folio-sized publication was the first anthology-type book dedicated to British furniture design, and could grace the shelves of the gentleman’s library alongside publications from the Continent.
They were designed in a serial manner, with the intention of offering four or six

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Copy after Hugo van der Goes – The Adoration of the Magi – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436523

This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted
the Christ Child, the Virgin and Joseph—and Hugo never repeated himself in this manner

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Jean-Baptiste Greuze – Aegina Visited by Jupiter – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436580

The subject of the painting has for a long time been at issue. If the present identification is correct, then Greuze depicted Aegina, daughter of the river god Asopus, when she was visited by Jupiter in the guise of fire
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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