Dein Suchergebnis zum Thema: Mann

The Isin-Larsa and Old Babylonian Periods (2004–1595 B.C.) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/the-isin-larsa-and-old-babylonian-periods-2004-1595-b-c

People of the ancient Near East inhabited a world that was saturated with supernatural powers, and the arts of the Isin-Larsa and Old Babylonian periods show the range of deities available to the individual as sources of protection and well-being.
Enkidu—who, according to the story, is a capable defender of flocks but lacks table manners

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Adélaïde Labille-Guiard – Madame Elisabeth de France (1764–1794) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/439405

Labille-Guiard’s clients are most often presented in bust- or half-length against a shaded ground of a solid color, bringing her sitters‘ faces and costumes closely into view. She was admired by her contemporaries for her skill at capturing their expressions
for this study sets off her face and accords well with the gentle reserve of her manner

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Attributed to the Berlin Painter – Terracotta amphora (jar) – Greek, Attic – Late Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/254896

Said to be from Nola (Beazley 1963, p. 197, no. 3). Until 1919, private collection, UK; May 22-23, 1919, purchased by William Randolph Hearst through Sotheby, Wilkinson and Hodge, London; 1919-1951, collection of William Randolph Hearst, New York and San Simeon; 1951-1956, with the William Randolph Hearst Foundation, New York; acquired in 1956, purchased from the W
Berlin Painter 5th century BCE Terracotta lekythos (oil flask) Attributed to the manner

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Johannes Vermeer (1632–1675) and The Milkmaid – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/johannes-vermeer-1632-1675-and-the-milkmaid

Tactile and optical sensations coexist: nowhere else in Vermeer’s oeuvre does one find such a sculptural figure and such seemingly tangible objects, and yet the future painter of luminous interiors has already arrived.
might be expected of a young artist in Delft, treats a mythological subject in a manner

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English Embroidery of the Late Tudor and Stuart Eras – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/english-embroidery-of-the-late-tudor-and-stuart-eras

While this skill is traditionally associated with femininity and the education of young girls, it was in fact practiced by both men and women, children and adults, paid professionals and talented amateurs.
All manner of household furnishings were decorated with embroidery, from bed sheets

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