Dein Suchergebnis zum Thema: Mann

Andrea Briosco, called Riccio – Rothschild lamp – Italian, Padua – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/236643

Baron James Mayer de Rothschild (by 1865–d. 1868) ; his son, baron Gustave de Rothschild (until d. 1911) ; his son, baron Robert de Rothschild (d. 1946) ; by descent through the Rothschild family (until 2009) ; [ sold by private agreement through Christie’s, London ; to MMA ]
magisterial Paschal Candelabrum, Riccio yoked form, function, and imagery in a manner

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American Furniture, 1620–1730: The Seventeenth-Century and William and Mary Styles – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/american-furniture-1620-1730-the-seventeenth-century-and-william-and-mary-styles

Furniture in the early Baroque, or William and Mary, style broke away from the solid, horizontal massing and rectilinear outlines of the preceding era.
Once in America, Searle and Dennis continued to produce objects in the same manner

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Albrecht Dürer – Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459214?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459214&pkgids=447&pg=0&rpp=20&pos=21&ft=*&offset=20&locale=en

Inscription: On the recto at the center top: the monogram Ad was added by another hand in thicker, more reddish brown ink.Marking: Inscribed in brown ink on the verso at the center top: 1493; at the lower left, a collector’s stamp about 8mm in diameter, in reddish brown: MUZ LUBOM Sorrounding the letters IO (or the number 10?)Watermark: three fleurs-de-lis in a shield, with a crown and flower and a suspended letter t (similar to Piccard XIII (III), no
series of sketches of pillows, exploring the effects of light on the folds in a manner

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Capital with Bust of the Archangel Michael – Byzantine – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/466108

This capital, in the form of a bust-length image of the winged archangel Michael, whose name is inscribed in Greek on its abacus, shows him turning to the right and holding a trilobed scepter, and an orb covered with parallel lines, on which is set a quatrelobed cross
set in his round, full face; its surface areas are articulated in a sophisticated manner

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