Dein Suchergebnis zum Thema: Mann

Landscape Painting in the Netherlands – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/landscape-painting-in-the-netherlands

Dutch and Flemish landscape paintings were rarely symbolic but were usually rich in associations, ranging from God and all of nature to national, regional, or local pride, agriculture and commerce, leisure time, and the sheer pleasure of physical sensation.
onward, his style evolved from fanciful Mannerist inventions to a more naturalistic manner

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Images of Antiquity in Limoges Enamels in the French Renaissance – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/images-of-antiquity-in-limoges-enamels-in-the-french-renaissance

While religious themes had dominated Limoges enamels in the Middle Ages and continued to cover the surfaces of Limoges plaques particularly in the first third of the sixteenth century, images of Greek and Roman subjects predominated from the 1530s.
freely to copper surfaces, without obvious demarcations between areas of color, in a manner

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Hebrew Bible – Spanish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/773026

David ha-Kohen Coutinh[o], who signed his name in the book at Rosh Hashanah (in 1367) ; Moses Abulafia, who inscribed his name in the book (late 1400s–early 1500s) ; by descent, Donna Jamila, who sold the book in Thessaloniki (in 1526) ; Rabbi Abraham di Boton, who signed his name in the book, Thessaloniki (16th century) ; Zaradel Synogogue, Alexandria (by 1905) ; Central European Jewish Private Collector (1950s/60s–1996) ; J
As a result, Hebrew Bibles came to be splendidly adorned, in a manner worthy of that

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