However, a crucial aspect of Rembrandt’s development was his intense study of people, objects, and their surroundings “from life.”
frequently theatrical style of the previous decade gave way to a more contemplative manner
Inscription: Upper right, in pen and brown ink: 2Lower right, in pen and brown ink: illegible figuresBottom center, in graphite: 18Verso, upper left, in graphite: 1980.515Verso, upper right, in graphite: 100
Like other Flemish artists of his generation, his graphic manner was influenced by
Superfine: Tailoring Black Style presents a cultural and historical examination of Black style over three hundred years through the concept of dandyism.
my presence, the combination of my looks, tall and honey colored; my impeccable manners
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The popularity of Indian textiles is evidenced in the number of words that have made their way into English: calico, pajama, gingham, dungaree, chintz, and khaki.
Resist dyeing, also known by the Malay term batik, works in the opposite manner,
In the wake of Abstract Expressionism, a number of painters developed strategies that both extended the life of painting while simultaneously pointing to its inevitable demise.
prewar avant-garde in a postwar context, but in a more conceptually provocative manner
Theologians established a parallel between Christ’s Passion and the Virgin’s compassion: while he suffered physically on the cross, she was crucified in spirit.
The manner in which the Virgin holds Christ is very particular.
His compositions are mostly invented and exhibit the most discriminating formal relationships, including those of color. In addition, Vermeer’s application of paint reveals extraordinary technical ability and time-consuming care.
Asleep ( 14.40.611) of about 1657 is probably Vermeer’s earliest scene of modern manners
Conservators at The Met share findings from conserving a Benin bronze made with lost-wax casting.
, the sculptures were coated with a layer of oil varnish and pigmented wax in a manner
[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
1 Terracotta column-krater (bowl for mixing wine and water) Attributed to the manner
