Dein Suchergebnis zum Thema: Mann

The position of the figure resembles the manner in which the bodies of the deceased

Research Assistant Jeffrey Fraiman sits down with scholar James M. Saslow to discuss Michelangelo’s practice as a poet, the meaning of his gift drawings, and the study of the artist’s homoeroticism since his death in 1564.
in high art of one man declaring his passion for another in such a confessional manner

Bibliography of The Met’s Paper Conservation department
Shelley, Marjorie. “Painting in the Dry Manner: The Flourishing of Pastel in 18th-Century

[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as „maisons étagées,“ sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K
1972], p. 225, fig. 16-8 (color), calls it an example of Cézanne’s "constructive manner

versions "pell-mell, deliberately anarchic" that is transformed to "a pedantic manner

Dutch and Flemish landscape paintings were rarely symbolic but were usually rich in associations, ranging from God and all of nature to national, regional, or local pride, agriculture and commerce, leisure time, and the sheer pleasure of physical sensation.
onward, his style evolved from fanciful Mannerist inventions to a more naturalistic manner

The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
rejected for submission to the "Illustrated London News" and later added to in a manner

With growing assurance, architects in northern France, and soon all over Europe, competed in a race to conquer height.
1330–50 Censer Swiss before 1477 “Then arose new architects who after the manner

Rembrandt was fascinated with subjects from the Old and New Testaments and, enjoyed revealing the realistic human emotion and narrative detail inspired by these stories.
assortment of figures in the foreground, each one reacting to the scene in a different manner

While religious themes had dominated Limoges enamels in the Middle Ages and continued to cover the surfaces of Limoges plaques particularly in the first third of the sixteenth century, images of Greek and Roman subjects predominated from the 1530s.
freely to copper surfaces, without obvious demarcations between areas of color, in a manner