Arnold Böcklin – Island of the Dead – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435683
and that Böcklin delivered the picture to his patron with a note describing the manner
and that Böcklin delivered the picture to his patron with a note describing the manner
The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
technique and descriptive powers, evident in the expression of Saint Andrew and the manner
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
entomophilia as well as his allegiance to fashion, which had begun to embrace all manner
Reception Room (Qa’a)This interior, a splendid example of a wood-paneled reception chamber (qa‘a) from a private house in Damascus, is among the earliest extant, nearly complete interiors of its kind, dated by an inscription to A
A Ninth-Century Miss Manners: Dining Etiquette in Abbasid Iraq Looking toward the
Trent 1470–1532 Padua) or Follower of early 16th century Satyr Riding a Goat Manner
prints, the romance of landscape paintings, and the glamour and bravado of grand manner
Henry Oppenheimer, London; Oppenheimer sale, Christie’s, London, 28 July 1936, lot 239 (as „very fine“; for pounds 16 to [John Hunt, London]). Acquired by Robert Lehman through Hunt from the Oppenheimer sale
Sculpture From Europe From Italy From A.D. 1400–1600 Satyr Riding a Goat Manner
Otto Gutekunst , London (by 1912) ; Sir Robert Abdy , Switzerland ; Sir Valentine Abdy , Switzerland (sold to Cyril Humphris, London) ; [ Cyril Humphris , London ] ; [ E. V. Thaw & Co. , New York (until 1982; sold to MMA) ]
From Europe From Italy From Padua From A.D. 1400–1600 Satyr Riding a Goat Manner
Stanley Spencer’s King’s Cookham Rise came to the studio to be examined and treated in preparation for an exhibition.
Once the drawing was completed, Spencer proceeded in a consistently meticulous manner
With less than a week left to visit Celebrating Tintoretto: Portrait Paintings and Studio Drawings, one of the exhibition’s curators muses on the vibrant modernity and astonishing immediacy of Jacopo Tintoretto’s small-scale portraits.
figural drawings by Tintoretto’s son Domenico, and vividly illustrate the innovative manner