Dein Suchergebnis zum Thema: Mann

The Isin-Larsa and Old Babylonian Periods (2004–1595 B.C.) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/the-isin-larsa-and-old-babylonian-periods-2004-1595-b-c

People of the ancient Near East inhabited a world that was saturated with supernatural powers, and the arts of the Isin-Larsa and Old Babylonian periods show the range of deities available to the individual as sources of protection and well-being.
Enkidu—who, according to the story, is a capable defender of flocks but lacks table manners

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Johannes Vermeer (1632–1675) and The Milkmaid – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/johannes-vermeer-1632-1675-and-the-milkmaid

Tactile and optical sensations coexist: nowhere else in Vermeer’s oeuvre does one find such a sculptural figure and such seemingly tangible objects, and yet the future painter of luminous interiors has already arrived.
might be expected of a young artist in Delft, treats a mythological subject in a manner

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English Embroidery of the Late Tudor and Stuart Eras – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/english-embroidery-of-the-late-tudor-and-stuart-eras

While this skill is traditionally associated with femininity and the education of young girls, it was in fact practiced by both men and women, children and adults, paid professionals and talented amateurs.
All manner of household furnishings were decorated with embroidery, from bed sheets

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
of the cult in the 1430s in each location, and what are the differences in the manner

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Antonio Pollaiuolo – Study for the Equestrian Monument to Francesco Sforza – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459186?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459186&pkgids=447&pg=0&rpp=20&pos=5&ft=*&offset=20&locale=en

This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
portray the monument as a whole (encompassing both horse and rider), in a detailed manner

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