Dein Suchergebnis zum Thema: Mann

Albrecht Dürer – Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459214?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459214&pkgids=447&pg=0&rpp=20&pos=21&ft=*&offset=20&locale=en

Inscription: On the recto at the center top: the monogram Ad was added by another hand in thicker, more reddish brown ink.Marking: Inscribed in brown ink on the verso at the center top: 1493; at the lower left, a collector’s stamp about 8mm in diameter, in reddish brown: MUZ LUBOM Sorrounding the letters IO (or the number 10?)Watermark: three fleurs-de-lis in a shield, with a crown and flower and a suspended letter t (similar to Piccard XIII (III), no
series of sketches of pillows, exploring the effects of light on the folds in a manner

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American Furniture, 1620–1730: The Seventeenth-Century and William and Mary Styles – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/american-furniture-1620-1730-the-seventeenth-century-and-william-and-mary-styles

Furniture in the early Baroque, or William and Mary, style broke away from the solid, horizontal massing and rectilinear outlines of the preceding era.
Once in America, Searle and Dennis continued to produce objects in the same manner

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Images of Antiquity in Limoges Enamels in the French Renaissance – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/images-of-antiquity-in-limoges-enamels-in-the-french-renaissance

While religious themes had dominated Limoges enamels in the Middle Ages and continued to cover the surfaces of Limoges plaques particularly in the first third of the sixteenth century, images of Greek and Roman subjects predominated from the 1530s.
freely to copper surfaces, without obvious demarcations between areas of color, in a manner

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