Dein Suchergebnis zum Thema: Mann

Francesco Salviati (Francesco de‘ Rossi) – Carlo Rimbotti (1518–1591) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/761570?exhibitionId=%7B2c98eb4f-1cd0-43dc-912e-1fd5d5ef9c00%7D&oid=761570&pkgids=689&pg=1&rpp=4&pos=2&ft=*&locale=en

The Artist: A major figure of sixteenth-century painting, Francesco de’ Rossi, better known as Francesco Salviati, was born in Florence in 1510. He was a close contemporary of Agnolo Bronzino (1503–1572)
He remarked that Salviati had „la piu bella maniera“ (the most beautiful manner)

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Exhibition Themes | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2017/leonardo-to-matisse/exhibition-themes

Featuring highlights of European drawing from the Robert Lehman Collection, the exhibition presents works by preeminent masters from the Renaissance to the modern age, including Leonardo da Vinci, Albrecht Dürer, Rembrandt, Georges Seurat, and Henri Matisse.  The selection reflects The The
artist of the French Enlightenment, Jean Honoré Fragonard developed an exuberant manner

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Simon Vouet – Woman Playing a Guitar – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/747607

The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
In France Vouet’s “Italian� manner of lush and brilliant painting, matched

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Language of a Genius—Michelangelo: Divine Draftsman and Designer with Author Carmen C. Bambach – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/carmen-bambach-interview-michelangelo-catalogue

Publishing and Marketing Assistant Rachel High speaks with Curator Carmen C. Bambach about the power of Michelangelo’s drawings and the artist’s savvy shaping of his own history.
He apparently cleaned himself up, bought new clothing, and cultivated the manners

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Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Paintings – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/peter-paul-rubens-1577-1640-and-anthony-van-dyck-1599-1641-paintings

As a painter of religious pictures, mythological scenes, classical and modern history, and portraits, Rubens had a broader impact than Van Dyck. But as a portraitist, Van Dyck was far more influential, especially in England.
Similarly, a sincere emotionalism lends substance to the seemingly nervous manner

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