Dein Suchergebnis zum Thema: Mann

Andrea Briosco, called Riccio – Rothschild lamp – Italian, Padua – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/236643

Baron James Mayer de Rothschild (by 1865–d. 1868) ; his son, baron Gustave de Rothschild (until d. 1911) ; his son, baron Robert de Rothschild (d. 1946) ; by descent through the Rothschild family (until 2009) ; [ sold by private agreement through Christie’s, London ; to MMA ]
magisterial Paschal Candelabrum, Riccio yoked form, function, and imagery in a manner

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Landscape Painting in the Netherlands – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/landscape-painting-in-the-netherlands

Dutch and Flemish landscape paintings were rarely symbolic but were usually rich in associations, ranging from God and all of nature to national, regional, or local pride, agriculture and commerce, leisure time, and the sheer pleasure of physical sensation.
onward, his style evolved from fanciful Mannerist inventions to a more naturalistic manner

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Images of Antiquity in Limoges Enamels in the French Renaissance – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/images-of-antiquity-in-limoges-enamels-in-the-french-renaissance

While religious themes had dominated Limoges enamels in the Middle Ages and continued to cover the surfaces of Limoges plaques particularly in the first third of the sixteenth century, images of Greek and Roman subjects predominated from the 1530s.
freely to copper surfaces, without obvious demarcations between areas of color, in a manner

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Albrecht Dürer – Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459214?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459214&pkgids=447&pg=0&rpp=20&pos=21&ft=*&offset=20&locale=en

Inscription: On the recto at the center top: the monogram Ad was added by another hand in thicker, more reddish brown ink.Marking: Inscribed in brown ink on the verso at the center top: 1493; at the lower left, a collector’s stamp about 8mm in diameter, in reddish brown: MUZ LUBOM Sorrounding the letters IO (or the number 10?)Watermark: three fleurs-de-lis in a shield, with a crown and flower and a suspended letter t (similar to Piccard XIII (III), no
series of sketches of pillows, exploring the effects of light on the folds in a manner

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