Dein Suchergebnis zum Thema: Mann

French Decorative Arts during the Reign of Louis XIV (1654–1715) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/french-decorative-arts-during-the-reign-of-louis-xiv-1654-1715

In the still small but gay and colorful pavilion devised by Le Vau, now his favorite architect, the young sovereign surrounded himself with sensuous Italian or Flemish cabinets.
were redecorated in 1654–55 with frescoed and stuccoed ceilings in the Bolognese manner

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Anthony van Dyck – Study for a Portrait of a Lady – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/335449

Inscription: Recto, lower right, in pen and brown ink: A.V. Dyck.Verso, lower right, in graphite: 1972.118.279Marking: Recto, lower left, collector’s mark of Sir Joshua Reynolds (Lugt 2364)Recto, lower left, collector’s mark of Thomas Hudson (Lugt 2432)Recto, lower right center, collector’s mark of Prosper Henry Lankrik (Lugt 2090)Recto, lower right, collector’s mark of Baron Louis-Auguste de Schwiter (Lugt 1768)Verso, lower left, collector’s mark of Pierre Olivier Dubaut (Lugt 2103b)Verso, bottom right, MMA stamp
sophisticated and privileged members of the Caroline court in a suitably glamorous manner

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Landscape Painting in the Netherlands – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/landscape-painting-in-the-netherlands

Dutch and Flemish landscape paintings were rarely symbolic but were usually rich in associations, ranging from God and all of nature to national, regional, or local pride, agriculture and commerce, leisure time, and the sheer pleasure of physical sensation.
onward, his style evolved from fanciful Mannerist inventions to a more naturalistic manner

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