Dein Suchergebnis zum Thema: Mann

Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435597

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
One gains a very different impression of Backer’s manner from the tronies of old

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Privacy Policy – The Metropolitan Museum of Art

https://www.metmuseum.org/policies/privacy-policy

The Metropolitan Museum of Art is committed to protecting the privacy of our visitors. This privacy policy governs the way we collect and use information both online and offline, including at www.metmuseum.org and its subdomains, including websites accessed through your mobile devices as well as downloadable mobile applications („Websites“).
If your information has already been shared by us in the manner described above,

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French Decorative Arts during the Reign of Louis XIV (1654–1715) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/french-decorative-arts-during-the-reign-of-louis-xiv-1654-1715

In the still small but gay and colorful pavilion devised by Le Vau, now his favorite architect, the young sovereign surrounded himself with sensuous Italian or Flemish cabinets.
were redecorated in 1654–55 with frescoed and stuccoed ceilings in the Bolognese manner

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Interior Design in England, 1600–1800 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/interior-design-in-england-1600-1800

Increasing prosperity fueled demand for houses that were more comfortable and more elegant, while patrons grew more sophisticated, architects better esteemed, and craftsmen capable of realizing ever more ambitious designs.
details are of Italian inspiration, but they are combined and executed in a Dutch manner

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Design, 1900–1925 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/design-1900-25

By the turn of the twentieth century, a new stylistic vocabulary—with distinct regional characteristics—had been firmly established. Whether realistic or abstract, exuberant or restrained, curvilinear or geometric, there was a consistency in the purposeful rejection of outmoded tastes and exploration of new design influences.
motifs, while thoroughly integrated, often were treated in a linear or geometric manner

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