From Europe From Italy From Padua From A.D. 1400–1600 Satyr Riding a Goat Manner
The Fauve painters were the first to break with Impressionism as well as with older, traditional methods of perception.
flirtation with Cubism, became a widely popular painter in a somewhat neoclassical manner
In a two-year conservation campaign, objects conservators at The Met applied two approaches for restoring losses to a stained-glass window.
The replacement piece was made in the same manner as the original by cutting and
The Umayyad period is often considered the formative period in Islamic art.
lands unified under Umayyad rule, artists continued to work in their established manner
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
factories set out to discover the process of producing porcelain in the Chinese manner
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
Simone’s refined technique and descriptive powers, evident in the realistic manner
According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
, p. 31, under no. 154; vol. 3, fig. 849, calls it a „masterpiece of the ‚grand manner
Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
considers it one of the paintings in which Moretto most closely approaches the manner
China’s scholarly elite was deeply influenced by the theories and art of the late Ming artist, collector, and theorist Dong Qichang.
Wang Yuanqi pursued a rigorously abstract style in the manner of Dong Qichang that
Titian contributed to all of the major areas of Renaissance art, painting altarpieces, portraits, mythologies, and pastoral landscapes with figures.
The two artists worked in such a similar manner that the line between them has been
