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Giovanni Battista Tiepolo – The Battle of Vercellae – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437794

This work is usually identified as depicting Marius’s victory over the invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
What makes these pictures so compelling as works of art is the manner in which Roman

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Margareta Haverman – A Vase of Flowers – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436634?exhibitionId=%7Bf09f2f10-eee2-4ecb-8e2a-c6c9669ba1b2%7D&%3Boid=436634&%3Bpkgids=512

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
at any moment,� as well as “the ants, the snails, the butterflies, and all manner

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Paul Cézanne – The Card Players – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435868

The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
The painter worked in a conventional manner, scaling up to work on a canvas almost

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Joseph Mallord William Turner – Whalers – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437854

This picture is one of four whaling subjects by Turner; the other three form part of the artist’s bequest at Tate Britain, London. The Met’s painting and another of the same title were shown at the Royal Academy in 1845, receiving a mixed reception
colour; depicting the peril and excitement of Whale-fishing, in a vague, imaginative manner

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Petrus Christus – Head of Christ (Ecce Homo) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435897

The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Painting: This mesmerizing image of Christ derives from the Gospels of Mark (15: 17–18) and John (19: 1–5) wherein Jesus was beaten, crowned with thorns, and dressed in a purple robe, subsequently to be presented by Pilate to the jeering crowd of Jews with the words „Ecce Homo“ (Behold the man)
surrounded by the painted trompe l’oeil frame that was rendered in a very sensitive manner

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Michelangelo Buonarroti – Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/337497

Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
The manner of the weight-bearing on the toes of the sibyl’s left foot was crucial

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