Dein Suchergebnis zum Thema: Mann

Hans Memling – The Annunciation – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437490

The Artist: A successor of Jan van Eyck and Petrus Christus, and a contemporary of Gerard David, Hans Memling was among the most important artists of fifteenth-century Bruges. Although he spent the majority of his career in that thriving city, he was born around 1435–40 in the German town of Klein-Krotzenburg near Seligenstadt, south-east of Frankfurt, Germany
The manner in which the gold threads catch and reflect the light across the folded

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Camille Corot – Sibylle – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435984

Alfred Robaut, Paris (until 1899; sold on February 21 for Fr 6,000 to Durand-Ruel); [Durand-Ruel, Paris, 1899; stock no. 5026, as „Italienne“; sold on December 8, 1899 or January 25, 1900 to Durand-Ruel, New York]; [Durand-Ruel, New York, 1899/1900–1903; stock no
Camille Corot (French, Paris 1796–1875 Paris) 1842 or earlier Landscape In the manner

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Ibn Sukkara al-Hashimi – Cup with a Poem on Wine – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451748

Two Vessels Inscribed with a Poem on Wine (MMA 64.133.2 and British Museum ME OA 1938.11-12.1)These sophisticated vessels, inscribed with verses inviting one to drink, echo the close connection between wine drinking and literature in upper-class social practice of the medieval Islamic period
Learn more about this artwork A Ninth-Century Miss Manners: Dining Etiquette in

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Andrea del Sarto (Andrea d’Agnolo) – The Holy Family with the Young Saint John the Baptist – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437609

According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
, p. 31, under no. 154; vol. 3, fig. 849, calls it a „masterpiece of the ‚grand manner

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Moretto da Brescia (Alessandro Bonvicino) – Portrait of a Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437158

Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
considers it one of the paintings in which Moretto most closely approaches the manner

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