Dein Suchergebnis zum Thema: Mann

Jean-Baptiste Greuze – Study of a Woman’s Head – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436583

Throughout the greater part of his career Greuze made what are referred to as either study heads or expressive heads, in French called têtes d’expression. He showed paintings of the kind at every biannual Salon in which he participated, that is, from 1755 through 1765 and in 1769
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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Attributed to Exekias – Terracotta neck-amphora (jar) with lid and knob (27.16) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/250551

Possibly between 1787-1790, acquired by Sir William Hamilton (British Envoy and Plenipotentiary at the court of Naples), Naples; from the late 1780’s to 1801, possibly in the collection of Sir William Hamilton; 1801-1917, vase and lid probably in the possession of the Hope Family, at Deepdene, Surrey, England (1801-1831 with Thomas Hope; 1831-1862 with Henry Thomas Hope; 1862-1877 with Mrs
joins lid of 17.230.14 ca. 540 BCE Calyx-krater, fragments Attributed to the manner

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Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Paintings – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/peter-paul-rubens-1577-1640-and-anthony-van-dyck-1599-1641-paintings

As a painter of religious pictures, mythological scenes, classical and modern history, and portraits, Rubens had a broader impact than Van Dyck. But as a portraitist, Van Dyck was far more influential, especially in England.
Similarly, a sincere emotionalism lends substance to the seemingly nervous manner

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Language of a Genius—Michelangelo: Divine Draftsman and Designer with Author Carmen C. Bambach – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/carmen-bambach-interview-michelangelo-catalogue

Publishing and Marketing Assistant Rachel High speaks with Curator Carmen C. Bambach about the power of Michelangelo’s drawings and the artist’s savvy shaping of his own history.
He apparently cleaned himself up, bought new clothing, and cultivated the manners

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Art of the Seventeenth and Eighteenth Centuries in Naples – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/art-of-the-seventeenth-and-eighteenth-centuries-in-naples

Neapolitan painting of the early seventeenth century is characterized by dramatic expression, emphatic naturalism, and intense chiaroscuro derived from the profound influence of Caravaggio.
produced similar narratives of the working class, but in a more satirical, biting manner

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Anthonie van Borssom – Barnyard Scene – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435723

The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
plainly dependent upon cattle pictures by Paulus Potter (1625–1654), and his manner

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