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Attributed to a painter of the Princeton Group – Terracotta neck-amphora (jar) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/258464

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
1 Terracotta column-krater (bowl for mixing wine and water) Attributed to the manner

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Andrea Briosco, called Riccio – Rothschild lamp – Italian, Padua – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/236643

Baron James Mayer de Rothschild (by 1865–d. 1868) ; his son, baron Gustave de Rothschild (until d. 1911) ; his son, baron Robert de Rothschild (d. 1946) ; by descent through the Rothschild family (until 2009) ; [ sold by private agreement through Christie’s, London ; to MMA ]
magisterial Paschal Candelabrum, Riccio yoked form, function, and imagery in a manner

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Albrecht Dürer – Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459214?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459214&pkgids=447&pg=0&rpp=20&pos=21&ft=*&offset=20&locale=en

Inscription: On the recto at the center top: the monogram Ad was added by another hand in thicker, more reddish brown ink.Marking: Inscribed in brown ink on the verso at the center top: 1493; at the lower left, a collector’s stamp about 8mm in diameter, in reddish brown: MUZ LUBOM Sorrounding the letters IO (or the number 10?)Watermark: three fleurs-de-lis in a shield, with a crown and flower and a suspended letter t (similar to Piccard XIII (III), no
series of sketches of pillows, exploring the effects of light on the folds in a manner

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American Furniture, 1620–1730: The Seventeenth-Century and William and Mary Styles – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/american-furniture-1620-1730-the-seventeenth-century-and-william-and-mary-styles

Furniture in the early Baroque, or William and Mary, style broke away from the solid, horizontal massing and rectilinear outlines of the preceding era.
Once in America, Searle and Dennis continued to produce objects in the same manner

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